/ / Palazzo labia: photos, description (Palazzo Labia)

Palazzo labia: photos, description (Palazzo Labia)

Palazzo labia is a Baroque Palace in Venice, built in the 17th and 18th centuries. This is one of the last Grand palaces in the city on the water - little known outside Italy, it has a dance hall, frescoed by Giovanni Battista Tiepolo. In addition, Palazzo labia distinguished by the fact that he has not only the facade, facing the Grand canal, but also the rear facade, overlooking the Cannaregio canal (the latter, incidentally, is the main). In Venice this architecture is very rare.

Family of Venice, who owned the Palazzo, came from Spain, and only in 1646, the year bought the title in Venice than earned among the local aristocrats nickname "upstarts". The construction of his Palace, they began at the end of the 17th century, employing for this two little-known architects of Tremignon and Kominelli. The place was chosen the confluence of the Grand canal from the Cannaregio canal in the heart of San Geremia. Like many other palaces of Venice, Palazzo labia is rectangular in shape, built around a courtyard, with facades characterized by simplicity and even a certain austerity in contrast to the classical buildings of that time. The facade facing the Campo San Geremia, its decoration is not inferior to that overlooks the Cannaregio canal. Third, overlooking the Grand canal, is much smaller. The Palace consists of five floors. The first and second floors - very low and exposed stones. The next two floors have tall segmented Windows separated by pilasters and framed by balconies with balustrades. The fifth floor is a mezzanine level under a low hipped roof with small oval Windows separated from each other by the heraldic eagle of the family of Venice. The façade on Campo San Geremia, made in the Venetian Gothic style, and contrasts considerably with the other two classical facades.

Inside the main ballroom - Salon delle Fest - completely painted with frescoes depicting romantic encounters Mark Antony and Cleopatra. These murals are the joint creation of Tiepolo and Girolamo Mengozzi Column. It is believed that the models for the murals served the members of the family labia. The rest of the front of the room, of course, pales in comparison to the dance hall, but, nevertheless, also deserve attention. For example, in Green damask area to see inlaid marble fireplace and huge frescoes by Pompeo Batoni.